Tuesday, 28 April 2015

Painting the Colosseum!

Colosseum Purple Watercolour Painting
We went to Rome a few years ago and ever since then I have been obsessed with painting the Colosseum. I still remember it taking my breath away when we came out from the station and saw it looming right in front of me! I love painting arches, windows, ruins and strong shadows so this was perfect for me!

I've painted it quite a few times in watercolour but I've been experimenting a bit with oil painting recently so thought I'd try to paint it in oils! Heres a few photos of behind the scenes of my painting (some of the photos were taken at night so not the best quality):

The very first sketch onto the canvas with a rough wash of acrylic paint just to get an idea of the structure.

First layer of oil paint to establish some tones and colours. I always paint everything at the same time and lots of layers.

 Lots more tones and a funny greeny colour has appeared!

Brightened up the Italian sky and added a few purple dark tones.

Starting to come together. I can't resist the purple and blues in the shadows!

Pretty much finished, I just like to live with a painting for a while to see if I can spot anything thats not quite right!

Colossuem Oil Painting
The finished oil painting! 

I'm off to Sicily soon so can't wait to be inspired by lots more Italian architecture!

Clare xx

Sunday, 19 April 2015

How to Print a Squirrel!

My squirrel watercolour and ink painting proved very popular and I had great fun painting her. She was a squirrel that kept coming to our forest cabin we were staying in near York a few years ago and loved coming for the peanuts we had left out for the visiting badgers! I decided to make a collagraph print of her too and to do a bit of experimental printing to try and get all the colours. I printed all the colours on one plate with just one pass through the press. Here's how I did it:
Squirrel Watercolour Painting
This is the collagraph printing plate ready to be printed. It is made out of mountboard and various textures are added to the surface so that it can be printed as an intaglio print.

Getting messy adding a mix of blue and black oil based printing ink all over the printing plate until the whole of it is covered in a layer of ink.

 Wiping the printing plate with newspaper to remove the ink. This leaves the ink in the heavily textured parts of the plate and removes the ink in the smoother areas to print lighter tones and white.

The printing plate fully wiped. At this point it could be printed and it would just be black and white.

Adding some colour to the squirrel. I added a few rubs of brightly coloured inks with a lot of extender medium added so they would be very transparent. They were then wiped gently to leave a smear of colour.

 I then used a stencil of plastic to mask out the squirrel while I coloured the background. I added a very thin layer of green ink a la poupee (with a tightly rolled up piece of cloth) to the background grasses. This meant the original blue/black ink would show through the thin layer of green.

 I then removed the stencil and placed the printing plate on the etching press with a dampened piece of watercolour paper over the top. The whole plate, paper and blanket was passed through the press and then the moment of truth when the print was revealed! You never quite know what you are going to get from the printing plate but I was really pleased with this one and I managed to get six colours printed in one go too!

Here's the finished Squirrel collagraph print:
Squirrel Collagraph Print

And a close up of some of the detail of the print:

Also a close detail of my messy inky hands after my glove split while printing!

Clare xx